The Ascetic

In a deep depression, Picasso could paint in nothing but blue. For three years, he works became all but monochromatic; rendered in shades of blue and blue-green, they are overwhelming in their coldness and affecting in the totality of moroseness they represent. It was the suicide of a close friend that led Picasso into his aptly named ‘Blue Period’, and his art was changed not just in palette but in subject. He retreated into the darkness of society, finding solace in the outcasts: the sick, disabled, marginalised, and rejected, as he saw himself in his misery as equally apart from the world he once inhabited. The works made during this period are more than melancholy - they are entirely absent of joy, and amongst the most urgent and potent communications of sadness ever created. This work, of an older man, ailing with little food to eat, is an exemplary work of this period. There is something unsettling in his depiction, as he moves between dimensions his body seems to exist both as rounded, fully formed flesh in the face, neck and hands, and as a flat, false image in his torso and arms. The table appears to retreat back against the wall, trapping him in a purgatorial space between planes. In social position and depiction, Picasso’s unnamed subject exists as an outsider, unplaced within the physical world he is painted in and rejected by the one he inhabits.