Anthropometrie
Yves Klein
YVES KLEIN, 1962. OIL ON PAPER.
Yves Klein replaced the paintbrush with the body. Working in collaboration with models covered in his signature blue paint, he instructed and directed them to push themselves against canvas and paper to leave remnants, ghostly leftovers, of their own form. This was a radical and controversial movement, not only for the perceived lewdness of the process, but because it took art out of the frame and placed it into everyday surroundings. It guided a passage from the material to the immaterial realm, beckoning in a transcendent idea of art that Klein believed in, one where the gulf between the human and the heavenly disappeared. On a visit to Hiroshima, Klein saw the impression of a man seared into stone, the mark of pain and destruction integrated man into the eternal nature that surrounded him. With more joy, freedom and intention, Klein was attempting the same with his Anthropometrie series. Bodies, flesh, and humans are mortal and transient, but we can coalesce with nature to rise above our mortality and reach the divine.