Canea
Deborah Williams Remington
DEBORAH WILLIAMS REMINGTON, 1977. OIL ON CANVAS.
Born to a storied American family and descended from Frederic Remington who’s genre paintings helped define the public imagination of the wild west, Deborah Williams Remington played a quiet part in her own revolution. As a member of the burgeoning San Franciscan beat scene in the early 1950s, she was part of a group of six artists who opened the ‘Six Gallery’. In 1955 they hosted Allen Ginsberg for his first ever poetry reading, performing an early version of ‘Howl’ to small crowd. Remington was the only woman in the small group of organisers, and the event she had planned kicked off the Beat Movement across America, but quickly wrote her out of the story. Leaving the machismo of 50s literary San Francisco, she travelled across Asia, learning traditional calligraphy in Japan and absorbing color theory in India. She settled in New York on her return and became a leading ‘hard edge’ abstract painter, rebelling against the painterly forms of the abstract expressionists and instead finding beauty in rigid, almost mechanical formulations. The composition of her pieces is at once confrontational and gentle, speaking to a life of fighting against, of finding her own path, pushing up against darkness and answering with beauty and light.