The Syndics of the Amsterdam Goldsmiths Guild
Thomas de Keyser
THOMAS DE KEYSER, 1627. OIL ON CANVAS.
In a time before mass produced imagery, a painting served as both aesthetic form and, often, advertising. When Thomas de Keyser was commissioned by the guild of Goldsmiths, responsible for ensuring the quality of raw material and products of the cities metal workers, there were certain requirements that the portrait had to meet. It was to be hung in the guildhall, and immediately visible to all customers and members, often as a first impression. It’s purpose then was to communicate immediately and effectively the authority, professionalism, and trustworthiness of the syndics who ran the guild. Set against a black background, and with each subject staring directly at the viewer, the work is an invitation towards them, the open hand of the seated man almost ushering us further into the building. The men clasp various tools of the trade, signalling a practiced knowledge of their work, and are depicted from a slightly lowered angle to emphasise their authority. Yet for all of its utility, it remains a most beautiful work, delicately rendered and dramatically composed. Its function does not overpower, no undermine, its aesthetic value.