Self Portrait
William Glackens
Painting at a time when the conventions of aesthetic beauty were tightly controlled by institutional forces, Glackens, along with a group of 7 artist who together were known as ‘The Eight’, defied convention to highlight their own understanding of beauty. Informed by European impressionism, they focused on realist and gritty scenes of urban life, especially in New York where most were based, to rail against the conservatism that dominated the American painterly movement at the time. Painted when the artist was 38, this self-portrait presents the artist with a knowing gaze, each brushstroke seemingly moving in a different direction to the last so that the painter’s hand is evident in every square inch of the canvas. It is, in some ways, a rallying cry against the vogue of the day, more energetic portrayals of life and a celebration of the inelegance and imperfection of existence than with the modernist techniques of the day.