DIEGO VELÁZQUEZ
At the age of twelve, Diego Velázquez joined the workshop of Francisco Pacheco, a painter, sculptor, and art theorist. He saw in the young man an irrepressible talent, and spent the next six years teaching him his craft, and his theories. Velázquez spent much of his time in Pacheco’s studio painting the wooden sculptures that were commissioned by various churches and collectors across Spain, and when he left Pacheco’s tutelage at the age of 18, it is unsurprising that his paintings had remarkably sculptural qualities to them. This work, ‘The Immaculate Conception’, is one of the earliest known works by the great Spanish master, and it’s rendering of the Virgin Mary seems to place her across three dimensions. The folds of her drapery seem to be deeply carved, the clasped, praying hands emerging towards us, and her form perfectly balanced atop the moon. Velázquez is able to make her feel at once totally alive, and entirely sculptural, a fitting dialogue for the sinless mother of Christ who balances divinity and humanity upon her shoulders.
MAX BECKMANN
Of all the artists despised by the Nazi Party in 1930s, Max Beckmann was amongst the most reviled. After the First World War, a boom of intellectualism occurred in Germany, with Berlin as its centre point, and the city became a fertile breeding ground for a new avant-garde that questioned the order of things before. Artists, writers, dancers, performers, musicians, and designers contributed to a culture of the Weimar Republic that was free, wild, and radical at every stage. As Hitler rose to power, he saw these movements as being in direct opposition to his philosophies, decrying it as degenerate art. Book burnings of works of Jewish intellectuals and modernist writers occurred, and the seizing of experimental, expressive, and modern work took place in galleries across the country. Beckmann became a figure head of all that Hitler saw as wrong with the creative culture of the nation, and the artist had to flee the country. This self portrait was his last painted in his home country, and it serves as a defiant declaration of his brilliance, in both skill and composition. He stand atop a staircase, elegantly dressed in a tuxedo, his eyes glancing angrily out of frame while the background behind him descends into turmoil.
LUCIEN COUTAUD
Dreamlike paintings, exploring the subconscious in beautifully rendered, immaculate detail; Lucien Coutaud had all of the trappings of surrealism and yet never identified with the group. As a young man in 1920s Paris, he found himself at the heart of a the avant-garde, forging friendships with Surrealist founder Andre Breton, fellow artist Paul Klee, Pablo Picasso, and Max Ernst, and writers Paul Eluard and Jean-Paul Satre. Were it not for his constant refusal of the label, anyone would be forgiven for thinking that Coutaud was as much as surrealist as Dali or Magritte. Instead, he called his style ‘Eroticomagie’, translating simply as Erotic Magic. This is a fitting description, for in almost all of his paintings there exists an underlying sensuality. Dreamlike, fairy-tale lands and impossible worlds have this strange duality when pictured with Coutaud’s brush - a sombreness pervades atop a sexually charged energy. Inspired, perhaps, by the fledgling psychoanalytical movement, his paintings seem to marry the two human drives of sex and death in soft blues and beautiful greys.
Paul Zweig
A poet, critic and memoirist, Zweig was admired by his friends and the literary circles around him, but remains in wider obscurity to this day. Zweig was an obsessive study of culture, peoples and moods. Cross pollination is clear in Zweig’s work, his techniques as a memoirist clear across his poetry. A careful and astute eye, self-possessed and self-aware, he wrote as if with a magnifying glass, looking at the offhand nature of the world and reading the truth from it. While he looked outwards, he found himself everywhere. He journeyed deeper into the self with each evocative work.
Jack Spicer
Spicer saw the poet as a radio, intercepting transmissions from outer space. Language was furniture, through which information navigated. He was a radical, both in his literary style and in his life, defying every convention at every turn. Refusing to allow his work to be copyrighted, Spicer ran a workshop called ‘Poetry as Magic’, and for him the statement was true. Poetry was a means to experience and translate the unexplainable, and had to be freely available for those who searched for truth. Spicer died penniless and with only small acclaim, like so many poets before and after him, but the ideas he laid out in his work have gone on to influence thousands of poets after him.
Amiri Baraka
Amiri Baraka was many things, and many things to many people. The most significant black poet of his generation, Baraka also is considered the founder of the Black Arts Movement and the Second Harlem Renaissance. Baraka wanted poetry, literature and art to be a legitimate product of experience. In doing so, he could hold a mirror up to a world in desperate need of self reflection. He was as fearless in his writing as he was in his activism, and he had a clear vision. The BAM became an aesthetic and spiritual sister of Black Power and Baraka’s voice was the most poignant, cutting and profound.
Molly Hankins April 9, 2026
Scientist, poet and author Dr. John C. Lilly was a controversial figure, best described in a new documentary as a man “determined to get his hands on the steering wheel of consciousness”…
2h 21m
4.8.26
In this clip, Rick speaks with Jeff Harmon about how creativity is inhibited for most people due to the need to work for a living.
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Marcus Aurelius April 7, 2026
Begin the morning by saying to thyself, I shall meet with the busy-body, the ungrateful, arrogant, deceitful, envious, unsocial…
Sunday 12th April
The Moon moves through Capricorn, an earth sign that draws everything downward into form, structure, and quiet endurance. There is a seriousness to this gesture, a strengthening from within, where growth is not showy but deliberate, shaping what lies beneath the surface. Capricorn invites us to work with patience and intention, laying foundations rather than seeking immediate results. In the biodynamic rhythm, this is a root time. The forces of the plant are gathered into the soil, making it an ideal moment to weed, earth up, and tend to root crops such as carrots, beetroot, parsnips, radishes, and turnips. By working the ground now, we support the plant in forming strong, clear roots, free from disturbance. There i s a quiet discipline to the day. What is done now may go unseen, but it is this hidden work that gives strength and integrity to all that follows.