The Beach at Sainte-Adresse
Claude Monet
CLAUDE MONET, 1867. OIL ON CANVAS.
In the suburb of Le Havre, a wealthy suburb of Northern France, Claude Monet saw the world changing. He had grown up by the seaside, on beaches just like the one depicted here, and knew well the rural life of the areas, small towns serving locals and dominated by a thriving fishing industry. Yet as industrialism took over the nation, train services connected these once self-sustaining communities to the major cities and brought with them an influx of tourists escaping metropolis for weekends by the sea. In his depiction of Saint-Andresse, Monet captures this duality. The foreground is dominated by fishermen, their boats resting on the sand as they mill around and smoke their pipes, wearing hardy and utilitarian garb. Yet behind them, sitting on the beach, a couple look out to sea, the woman in a flowing white dress with an accent of red below here. These are the city folk, representing modernity itself that is slowly encroaching on traditional, rural life. Monet makes no moral judgement, but the work is one of quiet conflict between two types of life, learning to exist together.