The Immaculate Conception
Diego Velázquez
DIEGO VELÁZQUEZ, c1618. OIL ON CANVAS.
At the age of twelve, Diego Velázquez joined the workshop of Francisco Pacheco, a painter, sculptor, and art theorist. He saw in the young man an irrepressible talent, and spent the next six years teaching him his craft, and his theories. Velázquez spent much of his time in Pacheco’s studio painting the wooden sculptures that were commissioned by various churches and collectors across Spain, and when he left Pacheco’s tutelage at the age of 18, it is unsurprising that his paintings had remarkably sculptural qualities to them. This work, ‘The Immaculate Conception’, is one of the earliest known works by the great Spanish master, and it’s rendering of the Virgin Mary seems to place her across three dimensions. The folds of her drapery seem to be deeply carved, the clasped, praying hands emerging towards us, and her form perfectly balanced atop the moon. Velázquez is able to make her feel at once totally alive, and entirely sculptural, a fitting dialogue for the sinless mother of Christ who balances divinity and humanity upon her shoulders.